“I’m proud to be a southerner, which isn’t always a fashionable thing to say.”
Cory Beth Ainsworth, p. 91
Last Ride to Graceland
I’ve been living in New York for awhile. Long enough to build a life, long enough to feel at home, long enough for a lot of good things to happen. But also long enough to forget. That’s right. I’ve been living here so long that, occasionally, I forget what it’s like to be home.
I forget what Fourth and Trade are like on Friday nights in the summer. I forget what cicadas sound like in the backyard. I forget that bluegrass isn’t just a trope, that BBQ isn’t just food we heat on the grill, and that not all the best stories are short. I’ve lived here long enough to forget what the South is like, who I am, and the places I am from. It scares the crap out of me every time.
When this happens, I cry. Usually big, ugly tears. And then I text or call Husband, who is as familiar with this travesty as my retelling of it. He is a good listener — a rare breed among New Yorkers — so he dutifully listens to me spew, careful not to interrupt or mansplain, and only once I’m all cried and storied out, he helps me remember why I can’t let myself forget.
Then I dig real deep, gather my courage, and go hunting. What for? My Southern voice, my Southern ear, my Southern roots, my Southern self. Where do I find it? Usually at bookstores, filed under “regional interest” or tossed in the discount bin.
Yeah, don’t get me started on those politics. We’d be here all day! But I do sometimes wonder, do New Yorkers feel this way in Southern stores? Not just with books, but with everything else they miss, things that aren’t as commonplace in their adoptive homes and road trip pit stops? Do they find the essence of their beings being as deeply discounted as mine? And if they do, is it also on the regular?
This stuff isn’t talked about in my circles, but I’d venture to guess that we are more alike than different, sisters and brothers from north of the line. I bet somewhere out there, a New Yorker is just as afraid of forgetting, just as aware of her/his unique way of being in the world. And that sort of thing is something we need to pay attention to. Maybe we all have a responsibility to help our neighbors. Scratch that. Not maybe. We definitely do.
Anyway, this week was one of those weeks for me. A week of lonely forgetting. A week of discounting. A week of searching everywhere for a clue that maybe, just maybe, being me was OK on this island. A clue more than people saying they were inclusive. A clue that people actually are.
These clues are hard to find, but thankfully I am resourceful and determined. I fight for the things I care about. Because of that, I found something. This week’s clue? Kim Wright’s Last Ride to Graceland. I won’t give away any spoilers, but she had me from page one. Rare. After that, I took the book home and read voraciously. I read like there wasn’t going to be another clue, another book, another home to be had. And you know what? It was the best homecoming I’ve had in awhile.
The only issue? Now I wish I really was home. If that were the case, I could tell Kim Wright how grateful I am, how necessary she is, and how much I wish other people knew this too. But for now I find joy in remembering. For one more day, I don’t forget. For one more day, the South is alive and well. For one more day, I can visit Carolina In My Mind.
And it’s glorious.
North by North Carolinian
For more information about Elvis and Graceland, check this resource out.
For Kim Wright’s reflections on her trip, and its connection to the book, familiarize yourself with this post over at South Writ Large.
For a review of this book from the Charlotte Observer (Wright is a Charlotte resident), mozy on over to this link.
And for some other female, Carolina-based authors you might consider adding to your bookshelf, check out Authors out of Carolina over here.
P.S. Why is it that larger (read: national) newspapers don’t cover Southern literature until it’s as “well known” as The Help? Maybe someday, someone will change that.
Food for thought.
Full concept and content by Ryan Vale McGonigle